Thursday, June 18, 2015
You're history!
You're history! You may be in Bahamas movie history an don't even know it.
Keep up with Stars In Paradise magazine @ starsinparadise.com
The 20th anniversary of Megavision Pictures and the rise of the Bahamas Film industry.
Hot chicks and tough guys are flocking the curse-free, drug free Bahamas movie set
The Bahamas film industry has evolved as a royal culture of fun, frolic and discipline while making millions and attracting only the best from around the world.
Have you ever felt the urge to just drop everything and start living the life you know you were born to live? Well you are not alone and it may well be a clear sign that you may be forcing yourself to operate out of your element. It may simply not be your calling. Are you an entrepreneur, student, writer or career changing professional? Are you seriously looking for an opportunity to lighten up, reduce the mundane stress factor and have more fun while making a living? THEN WHAT ARE YOU WAITING FOR?
Keep it simple, fulfilling and profitable. If you are not in the mood for smoking, cursing, drinking, doing drugs and you don’t mind training with some of the hottest chicks and the coolest guys on the planet, we invite you to send in your resume or an introductory letter. It doesn’t matter who you are, where you are or what you are doing. If you are ready to make a change, we would love to hear from you. There is a catch, you must be open for training or flexible enough to be re-trained into our success proven way of box-office career development. - starsinparadise.com
Wednesday, June 17, 2015
1. Bahamas Film Industry the way it all began
JEFFORD CURRE'
CIVILIAN
ENGAGEMENT
Episode 1
An excerpt from the
''Jefford Curre' Epic Memoir''
Now on STARS IN PARADISE
The all Bahamian movie channel
@starsinparadise.com
@starsinparadise.com
After 5-1/2 years of non-stop action and 37 successful intervention missions in the Royal Bahamas Defence Force, I needed a major therapeutic transition back into civilian life. I decided to follow up on all the concert festival invites, generated by my latest monster hit record, “Joykanoo”, As a recording artist I had just about won almost every conceivable music award the Bahamas had to offer at the time. It was time to go to work on my international outreach campaign. So with the help of a few friends I launched into my 1st concert festival tour. The tour kicked off from Miami with much help from WVCG radio who plugged my record like crazy. I experienced a tremendous response at live events. Judging from the incredible turn out, I knew we were in over our heads, in more ways than one, but somehow I knew we were on the right track. At the half way point of working our way through all 50 states, I took a short break after a spectacular sold out concert in Nashville. My professional profile was rising but there was still so much I did not know about how to make a transition to an artist that could live on his craft without a regular job on the side. Then I heard of an artist that was doing just that in a manner that was not only impressive but successful. His name was David Baroni. We had a lot in common, but it was obvious that I was the one who needed to take the student position. I needed to fully benefit from what I would call a course in how to live a life of artistic integrity, make money and still go to heaven. He invited me to hang out at his place for a month. I eat oversize country breakfast made by his wife Reta and rode along with him on tour. It was indeed a much needed tour mentoring experience for me. After Nashville I made a few loops back and forth between the Bahamas and the U.S. It’s so important to do this if you’re pursuing art career advancement or educational research travel. Not only for legal reasons but also for psychological reasons. If for no other reason, do it because no one is going to take care of anything for you while you are like they say in the Bahamas “Up and down lookin for what ya ain’t put down.’’ If you are fortunate enough to travel be good at taking care of business. When you are away it is perceived that you are avoiding your responsibilities. Regular communication of your progress and most of all let them know in specifically how your success will impact their life. This will relieve a great degree of the irritation that could be generated from your success stories.
Finally the opportunity for a major career expansion arrived. Like most worthwhile opportunities it began with an opportunity to learn something new or something that maybe out of the plan or even out of the comfort zone. My first arrival into Hollywood was nothing like I had anticipated. My ability to make friends that were completely different from me in many ways came in very handy. It was suggested that I approach the next level of my career with movie industry training, by attending workshops and seminars in production and marketing at UCLA. I was also fortunate enough to receive overwhelming assistance from a few European philanthropists and business professionals, who gave me an in-resident opportunity to advance my career. It was at an appropriate time, as I was experiencing a major transition, both in my business and personal life at the time. I also had to make the difficult decision of organizing the details for my wife and newborn daughter to stay in Miami for a short time with her Aunt Joan. This arrangement allowed me to take full advantage of an opportunity to increase my earning power. Making this difficult decision would not have been very acceptable in the culture that I grew up in. I had to play down the reality of the live-in situation, as much as I could. I mean way down, in order to avoid reflecting a fun filled escape from reality. After taking up residence, I realized that there was no reality at all. There was a sense of freedom for a while, but I soon got lonely to see my wife and daughter. It so happened that My wife’s aunt was going through a transition period and needed to relocate from Miami. Assisting in her transition to Los Angeles created an opportunity to solved a part of my problem. My wife and daughter would relocate with her and be closer to me living in Los Angeles. However, I did not think they would be happy living at my training location. There were about 30 to 40 really beautiful ladies (let me correct that, I mean smoking hot looking girls). They were not only intelligent and friendly, but some of them also sat down very badly most of the time). They were not up to anything, but their sitting style would be considered a little bit too comfortable by the ethical code of my Bahamian culture. Only four guys including myself lived in with them as permanent residents. No one was in a big hurry to get back into the real world. In all honesty, reality sucked in comparison to the Artist-In-Resident program. The whole thing felt like a two year studio course in box-office leadership and international relations with a minor in non-stop fun. In my entire life I had never gotten so much……to be continued
101 directing tips for filmmakers - Bahamas film industry.
5 directing tips for award winning moviemakers - Bahamas film industry.
It’s ironic that Jefford Curre’ has emerged as one of, if not the most influential figures in the Bahamas film industry. Considering the facts that before he began his first series of movie production training trips into the USA as an adult, he had never even stepped foot inside a movie theater. Of cause there are movie theaters in the Bahamas but that had nothing to do with Jefford's development toward his destiny. He was a shy boy who grew up under monk style conditions in a strict Christian home, and was not even allowed to venture outside the boundaries of his back yard. His friends, however, were allowed to come in to play and sometimes needed to borrow money. Jefford never spent his allowance, except for occasionally buying gifts for his mother. He kept a loaded piggy bank from which he made small loans to his friends, but there was one problem, he seldom got paid back. To solve the escalating problem, the thrifty 10 year old negotiated what could be considered his first pay-per-view distribution deal that was a sure win-win. For on quarter, his friends, who were allowed to attend the movies, would gladly re-enact the entire movie that they had seen. For an extra ten cents, they would even add music and sound effects with their mouth, leaving the rest to Jefford’s imagination.
The cinema that took place in the sand pile went great until one day, while the boys were climbing the wall to demonstrate an ambush scene. Suddenly the newly built, fresh cemented walls started to shake, too many boys were on the wall. He tried to warn them, but things got out of control. After a leap, the entire top section of the wall came tumbling down. Everyone ran out of the yard as fast as they could. With the help of two friends, Jefford put the wall together piece by piece, using mud to cover the cracks. It was a great prop work, but did not survive the slamming of the gate that evening when his father came home. That evening, after a few dozen lashes on his bare bottom, he realized how difficult directing could be. He learned some very important directing lessons. Directing lesson no. 1. You are responsible for any and all out come, Directing lesson no. 2. Don’t work with people who don’t take directions or you can’t control. Directing lesson no. 3. If something goes wrong be prepared, you'll take a good licking but don't stop tickin. Directing lesson no. 4. Always have at least two friends you can trust, who won't run when the going gets rough. Directing lesson no. 5. Remember there is an opportunity in every problem, find it and keep moving toward the goal.
starsinparadise.com
Who is reading Stars In Paradise?
Readers profile
Movie acquisition executives with the power to make buying decisions.
Savvy professionals looking for entry level employment positions or investment opportunities in the Bahamas film industry.
Students looking for high merit internship and travel opportunities.
- starsinparadise.com
Screen writing for the Bahamas Movie Industry
JEFFORD CURRE'
headlines the
Winter season tour
gets high poll ratings
as writers benefit from
movie development deals
Heavily inspired by the success of box-office superstar, Jefford Curre', the inventor of the Bahamas Film Industry, new writers want to make their dreams come true. Whether they are in the Bahamas, San Francisco or Japan, they want to make this happen with their names still on the writing credits on opening night. It's a wishful desire, but few may have the spiritual fortitude or industry connections to lead a convincing Hollywood battle. Writers want the ultimate recognition and career launch, that could derive from just one of their creative works. Keeping your name in the game, is the name of the game, however it is an extremely difficult thing to accomplish in today's box-office world, driven by name power. Labels with contractual obligations of a well stacked established writers roster, will always find it a better business decision to ignore the risky new comer. In the eyes of fast dividend seeking investors, an unknown writer would find it an easier task to locate a needle in a hay stack, than to expect priority consideration. So how exactly does a new writer get his/her name in lights? Well actually they don’t.
Actually that is not entirely true. The really creative unsigned writer can always figure out a way to use a search light or a candle to illuminate his/her name on the final draft. He/she can accomplish this best while sitting in a dark apartment with no electricity, but other than that, there have been very few options, if any. Before you start laughing at the poor little writing people, let us finish. Stars In Paradise have learned through the grape vines of Hollywood, that getting to keep your name on a manuscript is not just a poor unknown or unpublished writers problem. We have found out that even the established season unknown writers with money, family clout, government connections and beautiful faces can't break this almost impenetrable industry fraternity code. Lets try to remain positive and industrially honest when it comes to the success of screenplay manuscripts or books, it's all about who wrote it, not what it's about or how well it's written.
Is there a 21st. century solution to this age old problem? Keep up with Stars In Paradise magazine at starsinparadise.com. We will bring you the latest patented innovations that were unveiled by Jefford Curre' at the 2012 Winter Season presentations of the Box-office Superstar Summit Tour.
headlines the
Winter season tour
gets high poll ratings
as writers benefit from
movie development deals
Heavily inspired by the success of box-office superstar, Jefford Curre', the inventor of the Bahamas Film Industry, new writers want to make their dreams come true. Whether they are in the Bahamas, San Francisco or Japan, they want to make this happen with their names still on the writing credits on opening night. It's a wishful desire, but few may have the spiritual fortitude or industry connections to lead a convincing Hollywood battle. Writers want the ultimate recognition and career launch, that could derive from just one of their creative works. Keeping your name in the game, is the name of the game, however it is an extremely difficult thing to accomplish in today's box-office world, driven by name power. Labels with contractual obligations of a well stacked established writers roster, will always find it a better business decision to ignore the risky new comer. In the eyes of fast dividend seeking investors, an unknown writer would find it an easier task to locate a needle in a hay stack, than to expect priority consideration. So how exactly does a new writer get his/her name in lights? Well actually they don’t.
Actually that is not entirely true. The really creative unsigned writer can always figure out a way to use a search light or a candle to illuminate his/her name on the final draft. He/she can accomplish this best while sitting in a dark apartment with no electricity, but other than that, there have been very few options, if any. Before you start laughing at the poor little writing people, let us finish. Stars In Paradise have learned through the grape vines of Hollywood, that getting to keep your name on a manuscript is not just a poor unknown or unpublished writers problem. We have found out that even the established season unknown writers with money, family clout, government connections and beautiful faces can't break this almost impenetrable industry fraternity code. Lets try to remain positive and industrially honest when it comes to the success of screenplay manuscripts or books, it's all about who wrote it, not what it's about or how well it's written.
Is there a 21st. century solution to this age old problem? Keep up with Stars In Paradise magazine at starsinparadise.com. We will bring you the latest patented innovations that were unveiled by Jefford Curre' at the 2012 Winter Season presentations of the Box-office Superstar Summit Tour.
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